![]() Some months ago, I wrote a little about Joe Hisaishi, perhaps Japan’s most internationally celebrated contemporary composer ( Ryuichi Sakamoto notwithstanding), alongside his seminal and magical works, I have a highly unique set by Ōshima on my frequent playlist - and yet she remains tragically unknown here in the West. ![]() 大島ミチル, Ōshima Michiru, born March 16, 1961, is a multi-award winning composer of film, television, computer games, and concert works, popular in Asia, but less known in the West. Yet, no film music enthusiast’s knowledge of the genre is complete without having heard this talented and prolific Japanese composer. I hope this has inspired you to think twice about anime, or at least the music it can contain, and check out more from these wonderful composers.Try searching Google for Michiru Ōshima and you won’t find too much to whet your appetite in English. Some great tracks by her include: “ A Song of Storm and Fire” and “ Galza“, but like the others, this is skimming the surface of her mountain of amazing work. Since 1992, Miss Kajiura provided back up vocals and music for the J-pop music group See-Saw. She has also worked together with Toshihiko Sahashi on the Gundam Seed soundtracks. She is a music composer, producer and has composed soundtracks to a few video games, and an ever growing list of anime ( Madlax (2004), Noir (2001), Tsubasa Chronicles (2005)…). Her style is very dark and always beautiful, it gives the feeling of Howard Shore’s work on the Lord of the Rings. ![]() Yuki Kajiuraĭespite being a big fan of all the previously mentioned composers (and many more that could not make the list), Yuki Kajiura (born 1965) remains my favorite. She is worth taking a further look at, if only to marvel over the sheer volume of work. A nice preview of her work includes: “ Sora” and “ Dance of Curse“. I can not give justice to her in just a paragraph or so – some of her famous soundtracks include: Escaflowne (1996), Cowboy Beebop (1998), Wolf’s Rain (2003), Ghost in a Shell: Stand Alone Complex (2002) and CardCaptor Sakura: The Movie (1999). She has lent her talent to anime TV shows, movies, live action shows, video games, song writers (notably Maaya Sakamoto) and commercials. Yoko Kanno (born 1961) is a big name for the Japanese media industry in general. Yoko Kanno The brilliant lady behind the music Even though there are thousands of great pieces by him, I would like to highlight: “ Howl’s Moving Castle: Main Theme” and “ Princess Mononoke: Main Theme“. His melodies are rich in both instruments and emotion. He is most famous for his work with Hayao Miyazaki ( Princess Mononoke (1997), Spirited Away (2001) and Howl’s Moving Castle (2004)), but has contributed to many Japanese live-action films as well. Hisaishi has composed and directed hundreds of musical scores. Formally known as Mamoru Fujisawa (born 1950), Mr. If you do not recognize Hisaishi then it is very likely that you have been living under a rock. ![]() Standout tracks include: Distant Everyday Memories and Sayuri’s Melody. Tenmon’s music initially utilized the piano, although as Shinkai’s works got more exposure, more instruments have been added to the ensemble. Meeting Makoto Shinkai in a visual novel game company lead to various collaborations like the beautiful melodies for Shinkai’s works of She and her Cat (1999). Shirakawa Atsushi, more commonly known as “Tenmon” was born in 1971 and originally composed music for Falcom games. Tenmon If you see a Shinkai film, Tenmon is behind it. To get a taste of his greatness, some standout tracks include “ Sadame” and “ Distant Memory“, just to name a few. He won an award for “Best Music” for the film “ Always: Sunset on Third Street“. This man is one of the youngest out there in composition (born 1970), and the most popular soundtracks he has been part of is X TV (2000), Eureka Seven (2005), although he has also collaborated for the End of Evangelion (1997) team. Naoki Sato Sato-san looking sombre, often like his music. Here are 5 anime composers that are incredibly underrated and deserve more attention. While movies may be the first association you make with the two magical words ‘musical score’ (theatre close second), what about the anime scene? Many are unaware that scores for Japanese animation is taken just as seriously as film (at the best of times, anyway). If I was to write about all of them, it would be near impossible. Movie and classical music buffs alike love a great musical score – John Williams with Star Wars and Howard Shore with the Lord of the Rings films are just two names big enough to make music fans squeal with glee. Top 5 Anime Composers That You Should Listen To
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